The La Jolla Playhouse is gearing up for its 13th annual DNA New Work Series, a showcase of emerging talent and innovative storytelling. This year, the series takes on a new dimension under the leadership of Artistic Director Jessica Stone, marking a significant shift from its previous iterations. Stone, a two-time Tony Award-nominated stage director, brings her unique vision to the playhouse, focusing on the development and premiering of new plays and musicals. This shift is a strategic move to enhance the playhouse's commitment to nurturing fresh ideas and fostering a vibrant creative community.
The DNA New Work Series, initiated by Christopher Ashley in 2013, has been a platform for showcasing early-stage works. Gabriel Greene, the playhouse's director of artistic development, has been instrumental in curating and producing these projects, ensuring they have access to the necessary resources and support. The series aims to provide a nurturing environment for writers, allowing them to experiment and collaborate, while also offering patrons an intimate glimpse into the creative process.
One of the key aspects of this series is its stripped-down format. Unlike traditional productions, these readings feature no scenery changes, elaborate costumes, or grand stages. Instead, actors deliver powerful performances with the scripts in hand, creating an authentic and raw experience. This approach not only saves costs but also allows the focus to remain on the storytelling itself, providing a platform for writers to showcase their talent and receive valuable feedback.
The 2026 DNA New Work Series features four captivating plays, each exploring unique themes and relationships. "Rockville," written by Steven Levenson and directed by Stone, delves into the lives of two isolated characters, Peter and Erin, as they forge a tentative friendship. "Mother's Day," penned by Bekah Brunstetter, follows Mara's journey towards motherhood. "Artney Jackson," written by James Anthony Tyler, chronicles a week of conflict and ambition in Artney's long-standing career. Lastly, "Evil Diva," written by Stephen Karam, tells the story of a woman's transformation into a monster.
What's particularly intriguing about these plays is the common thread of one-on-one relationships. Greene highlights the exploration of anxiety and loneliness in various contexts, from reproductive issues to workplace dynamics. This focus on intimate connections adds depth and complexity to the narratives, making them relatable and thought-provoking.
The readings for this year's series will take place on May 30-31 at the Rao and Padma Makineni Play Development Center. The change in timing from December to May is strategic, addressing the challenge of scheduling during the busy holiday season. Additionally, May provides more flexibility for season programming.
The appointment of Jessica Stone as Artistic Director is a significant development. Her enthusiasm for nurturing new talent and expanding the playhouse's commitment to premiering new works is infectious. Greene expresses his excitement about Stone's leadership, emphasizing her dedication to fostering a vibrant creative community. The New Work Series has a proven track record of launching successful productions, and with Stone's expertise, the playhouse is poised for even greater success in the future.
In conclusion, the La Jolla Playhouse's DNA New Work Series is a testament to the power of creativity and collaboration. Under Jessica Stone's leadership, the series is set to thrive, offering a platform for emerging writers and a unique experience for audiences. As the playhouse continues to evolve, it remains a beacon for innovative storytelling, leaving a lasting impact on the theater world.
